Showing posts with label Post-Rock. Show all posts
Showing posts with label Post-Rock. Show all posts

Friday, May 3, 2013

Braveyoung - Will The Dust Praise You (2013)

EP, Self-released / Independent
May 3rd, 2013


Genre: Post-Rock
Region: USA

Braveyoung are definitely something ever more beautiful then originally imagined. Floating like they've cut ties to an anchor since leaving their moniker Giant as a widening, quietus plane has been formed between. A space where minimalism and tragic, sombre ethereality bloom, and that is fully realized on this haunting EP Will The Dust Praise You.

This has been streaming on their soundcloud page since late 2012 I believe, I heard it then but wanted to wait for official news. Where as the recent single was more of a heavenly siren call and breathed something supernatural into some of the uplifting aspects of their sound, Will The Dust Praise You takes the most melancholic moments of We Are Lonely Animals and expands them, enriching the already soul wrenching isolation in four movements.

I only labeled this post-rock because WALA at least resembled it, it's clear they're now a little outside of that. At this point for the time being they've embraced forms of minimalism, cold strings delicate piano, haunting and deep ambiance — as you've noticed in the brilliant single as well no doubt, same with their collaboration with The Body last year. That is the soul focus here: encase you in atmosphere through ethereal hymns flowing so smoothly, gently lifting you sometimes to terrifying heights only to cushion your slow, dark descent.



Only four steps in this journey but they're rich and consuming, albeit quiet and measured with the finale taking the emotional cake no question. Expect cellos and violin "Inquietud" serves as a telling welcome as moaning violin and other strings meet you, telling a sad tale and leaving the path dimly lit to "No Cure". A tranquil rise and the lonely plinks set in while the whirring continues, faint clicks of pedals, a second ascent is triggered as fingers press down progressively harder on those keys.  The switch there brings a muffled blossoming of beauty only for the piano to cement things one more time.



"I Felt Even Then How Monstrously A Man May Get Used To Things" is the third passage, reminding me the most of material from WALA with it's cautious, fragile keys which grow in confidence as the song unwinds, soft drone gaining weight with each bass pluck beneath — never trouncing the piano until the very tip of the track. It's the simplicity and minimal complexity used so well to channel some deep moving sentiment within all members, drawing it out from all of them as one cold melody. I would say they've accomplished translating it just fine. A very touching moment on this EP.



But it is "Relief Is Near In Four Parts", an eight minute trek, that as I said is my favorite here. The whine through the reverb fog that you find in the first minutes strikes deep within, slowly constructing itself as you're brought to the darkest, abandoned reaches of the sky over snowy tundra. Once the piano enters a whole new mass is given. The removal and sudden injection of the swells and ebbs, recombining at various volumes makes this all the more crushing,

Layered cello and violins with very subtle bass over an incredible hum, all of this reaches a climax and in the last two minutes a very Godspeed You Black Emperor approach is felt in the aural deterioration of the drone afterwards. It's hard not to draw comparisons at this point. Their sound is their own though and the wavering, diminishing drone is still gripping as it leaves.


Braveyoung do this well and you see it throughout their work. Growing sounds like flowers from the ground over time, and suddenly you're in the middle of this field of colour being overtaken by the thickest of mists. That's how it should be done and they do it effortlessly without pretense, and without padding or stretching. Just good, passionate writing.

Will The Dust Praise You is huge , lonely and graceful. Once again Braveyoung continue to set themselves apart from the bloated herd and cut through the wilderness of their own dense, haunting world emerging all the more impressive. You can preorder this directly from the band if you're in the US (two different versions, one containing individual art for songs) and if you're international like me send them an email about it. Or if you want go to bandcamp and pick it up for $5 and stream it.


DOWNLOAD (Bandcamp)

Thursday, April 11, 2013

Old Soul - Tidal Lock (2013)

Full Length, IFB / Dog Knights Productions / Dingleberry Records / Listen to Aylin
April, 2013


Genre: Blackened Hardcore/Post-Rock/Post-Hardcore
Region: USA

Coming off of that recent post about Old Soul's 2012 record, I've been given the pleasure of hearing and reviewing the new Old Soul record a few weeks prior to official release and all that. Took a little longer to write up due to other priorities getting in the way but here it is. There's no download link right now, however like their prior releases this will have a physical release and be made a free download to the public at some point soon. So hold on for now if you're eager.

Tidal Lock sees Old Soul further shaping their sound and progressing quite a bit from their previous record, while bringing back some elements that were stronger in their debut Natures Arms Encircle All; mainly the tranquil post-rock atmospherics which grasp this release firmly and made a bigger appearance in that record. Lots of reverb and delay among other effects in those long passages sometimes like near the close of the opener "Ghost/Incomplete" they're sustained and take on a shamanistic luster as notes are carefully placed around the whirring loops. Outside of these glimmering passages the scratchy swollen tone of the guitar is a big contrast once again carrying over from their sophomore, varied drumming keeping up with the wide swings in style, and a great bass presence especially when those quiet stretches start to ramp up ("Watermouth/Mirage").
 
All four tracks here (which flow as one long song in reality) reach between eight and ten minutes in length, a huge contrast to the four and six minute jaunts in Who Are Willing To Draw Close and further proof of a commitment to change at least in structure on first observation. The production is smooth, clear, warm; feeling much bulkier than Who Are Willing To Draw Close and lending a little juice to the all it's qualities. Only complaint here is for instance in the secong track around six minutes in, where there's a transition from quiet to loud the guitars feel a little dampened initially; this could just be me as I only notice it in that spot. Lyrically as one would expect this record does have a temporal focus, metaphoric, taking a reflective or introspective approach but largely up for individual interpretation; sometimes these are spoken ("Ethereal/Faultless") while usually in all other moments the blackened rasps dominate.

When listening the blackened post-hardcore/screamo characteristics still reside in their formula but are less bursts and more Krallice-esque in execution: long blazing passages blurring post-hardcore June Paik aggression with uneasy/anxious black metal melodies interspersed conservatively. Between these lies moments that resemble traditional screamo like Mahria but the twinkling nostalgia doesn't last long. You can hear this from the outset. These are enclosed in the vibrant ambient and post-rock drifting, both clean and acoustic, sometimes minimalistic but usually energetic builds. These moments have Tidal Lock coming very close to the eclectic style of Irepress even moreso than I thought, and yet every time they do rub up close they make a drastic shift, usually launching the song into an aggressive fit.

While they effortlessly float between each other each of the four tracks. "Ghost/Incomplete" and "Watermouth/Mirage", while separated, flow as one track linked by a gleaming clean section and provide a great example of the above. Broken up by flurries of proggy black metal mixed with screamo but far less densely packed than in their previous records. The former track is evenly broken up between their black skramz attack and meditative   while the latter dabbles more in Irepress-esque quietus with only brief, more laid back post-hardcore blinks; rhythms more restrained but still strong, leading the track out of the haze nicely.

"Paradigm/Pendulum" picks up and quickly descends into progressive black metal territory only to melt into a pretty clean section which gets increasingly proggy and loud and busy before diving into a tranquility. For the first four or so minutes I would swear this is a less complex Irepress track. The build on this track has both channels evolving sounds gradually. The return to distortion is very stealthy only occuring near the end and giving way to a wobbly ethereal section.

Interestingly enough this leads into the aptly titled final track "Ethereal/Faultless" — arguably the slowest on the record Old Soul close with a more depressive or reflective tone, even when they embrace the distortion it's very mournful. The screams come back in full force by around the eight minute mark and while still less chaotic the blackened brew here opening up to a spoken word passage with some nice bass work and percussion which fades, leaving only the words.

Old Soul's newest record is more grand and less dirty than previous material, a relatively refined and different experience from them. I think I like Who Are Willing To Draw Close a bit more at this point mainly due to the length and blend of sounds. I'm definitely finding on repeat listens I'm enjoying Tidal Lock more than I originally did, it's only the shift of emphasis away from more chaotic blackened aggression that I enjoy more on the former. For instance the closing riffs and rhythms on "Crater" (and it's atmosphere in the close) or the explosive climaxes after silence in "Forest" which ascend impressively. For whatever reason those moments trigger a more visceral nostalgia-tinged satisfaction within me.

Having said that I am enjoying what these guys have done with their sound since then and their continued willingness to break from comfort. It's something to commend. I recommend those of you who like their blackened post-whatever-core to be a little more exploratory, perhaps those of you who enjoy June Paik, Irepress, and Tesa should get into Tidal Lock.

This will soon be released by IFB, Dog Knights Productions, Dingleberry Records, or Listen to Aylin Records in the very near future and will most likely be available in distros and labels like Halo of Flies and Scream//Writhe. Follow their blog and facebook for more info on that. Eventually a link will be posted too but for now you may stream it on Dog Knights Productions' bandcamp:

Saturday, March 9, 2013

Old Soul - Who Are Willing To Draw Close (2012)

 Full Length, Dingleberry Records / IFB Records / East Train Records
 2012


Genre: Blackened Hardcore/Post-Rock/Black Metal/Post-Hardcore
Region: USA

Apparently I missed this last year as well. Who Are Willing To Draw Close is something I came across by accident and I think it's pretty sweet. I'm sure the combination of genres will pissoff a few people out there and normally I'm a little wary of such mixtures these days, but like I said this turns out to be very enjoyable. Containing only four tracks Old Soul's second album should have got a little more attention.

Five guys from Mount Pleasant that are experimenting and coming up with some sounds worthy of your time. Both of Old Soul's present releases are short and sweet, realistically EPs but the content is pretty sweet. I would describe their compelling style as Celeste channeling Darkest Hour through a haze of post-rock and black metal; maybe Alcest, Krallice or Wildernessking. Actually Dweller On The Threshold are doing a similar thing but in a more folk Do Make Say Think kind of direction.

Right from the opener "Crater" you know this is as least going to be a little different. The clean bends in the beginning of this track remind me of a few moments from Skagos' "Colossal Spell" or Godspeed You! Black Emperor's work. It takes a almost mid-east tone before erupting into chaotic blackened distortion, swirling and slowly breaking down and tangling with Celese-like dark hardcore until the finally volley — mellifluous and aggressive, suddenly post-hardcore is thick in the air. It combines with the black metal to make an almost Alcest beauty flowing in the twinkling black haze. They don't rest on this for long though and break into the next track quickly.


This is the pattern that gets put through some creative paces within the next three tracks, feeling legitimate and never staying longer than wanted in its experimentation. 'Twin" goes from wailing black tones to a more playful progressive chord section and back again. Amongst this strange mixture organs and children spoken word samples ("Forest" and "Tundra") weave their way comfortably enough into some tracks. avoiding cheese nicely. "Forest" is the one track that feels very much on the post-hardcore side of the tracks for the first two minutes before the climax which is a massive but quick blackened explosion, repeating only once near the end after a particularly melodic clean build.

All the tracks have this undercurrent of placid sadness that works its way out in the clean moments, "Tundra"'s intro for example. That track is another where the screamo/post-rock influences reign, and the bass is far more showcased (though the production doesn't cover it up elsewhere).

I think the record could be a little louder and maybe longer but not by much on that last part. Song lengths here are perfect and offer great variation without stumbling. The spoken samples don't feel necessary but they really don't derail the music either. The vocalist hits perfect shredding rasps and at times lets them bleed into anguished cries, percussion and bass/guitar work is complex and with purpose — there's no wankery or needless busyness and that goes for the ambient/post-rock elements too. If anything there's more to be explored here and hopefully they push it further with the following record.

Recommended especially if you like Celeste or some of what Dweller On The Threshold was fucking around with. If you want a taste go to their soundcloud page, and if you like it there's a couple of places you can get it from like Halo of Flies, Scream//Writhe, etc. or directly from them over at their blog where they have a download link to both records (here's a direct link to the store). They have bandcamp as well so you can download shit for free there as well.

The new record called "Tidal Lock" is coming soon as are shows I believe so check their facebook for updates on that stuff.

DOWNLOAD (Mediafire)
DOWNLOAD (Zippyshare)

Thursday, February 14, 2013

Braveyoung - Sunday, December 31, 1995 (2013)

Single, Self-released
February 12th, 2013


Genre: Post-Rock/Ambient
Region: USA

I love Braveyoung. I loved them when they were Giant, but what they've done as Braveyoung far surpasses their earlier projects as you can plainly hear when listening to We Are Lonely Animals.

This is a new-ish single they just released and my is it radiant. Braveyoung have definitely blown my expectations away with this, not that I would have reason to be apprehensive because these guys are creating some of the best minimal, angelic, sometimes depressing post-rock right now. It's just that in any case a single usually doesn't spark much excitement for me.

Sunday, December 31, 1995 is definitely a shining exception. Released in the hope of raising money for their next (and quite haunting) EP Will The Dust Praise You this is a very rich, warm and loud six minute sunrise over snowy mountain peaks. The initial rise of clean reverb and cycling bass, noise, and cymbals leads to an eruption of life-affirming upbeat horn-like blasts from the guitar; fuzzy and thick as it's modulates slightly. The drop off comes quickly and a final noisy build begins which is even more beautiful than the last; the end however is more coarse and disturbing.

Braveyoung have unleashed a gem, mighty and impressive, perfect length and absolutely bursting with feeling. It envelops you in an atmosphere of triumph that lifts you off the ground towards the sun.

Here is a cry for the support of a group making beautiful and unique music. From their site:


we have posted a previously unreleased piece of music titled “Sunday, December 31, 1995″ for download on our official bandcamp page. we are doing a pay what you want in hopes that you find it worth a few rupees. all proceeds go directly to helping fund the self release of our forthcoming EP titled “Will The Dust Praise You” (scroll down to listen to the streaming EP). obivously more than anything we want you to have this, and listen to it, and share it. so go get it.


 
It is pay what you want so you can get it for free, but I encourage you to support these guys. Even if you do get it for free share the bandcamp link around. I want to see the EP released and if you've listened to it too you probably do too.


Wednesday, April 25, 2012

Dweller On The Threshold - Dweller On The Threshold (2012)

Full Length, Enemies List Home Recordings
April 22nd, 2012 


Genre: Folk/Alternative Country/Post-Rock/Noise-Rock/Post-Hardcore
Region: USA

Like others who follow Enemies List, I've been curiously anticipating the release of material from Dweller On The Threshold, a quietly blooming group of shifting seasoned musicians from Death To Tyrants, Daniel Striped Tiger, and The Toll.

This album could definitely be described as enchanting, but even more than that it's surprising and dense. I had assumed that it was going to be calm and dark, in the realm of alt-country/folk/ambient something like Wovenhand or O'Death. Knowing that this is Enemies List though I suspected that what I had heard from the short preview clip on their site was only the smoothest tip of a monolithic, jagged iceberg. I just didn't know what to expect.

The first few tracks are very warm and dark acoustic pieces with very honest, clean singing accompanying the quiet ghostly chords — these tracks are tranquil and melodic, glowing like a summer sunset in the country as echos spread to fill the air. "The Woods: Electric" is the perfect example of this as it lulls you into a nostalgic haze while it's tail end gets a little more rough; "Bell", "Where Did You Go?", and "Gallery of Stars" all experiment with this sound. All members (at times eight) play well together however the singing is particularly hypnotizing: unearthly, light and creeping with a lot of reverb.

The first time where you'll be thrown completely (as I was) is on the third track: "Crumbling House". It suddenly sounds like we've stepped into a very early Cave In EP and it's oh so good. Hardcore backgrounds of the musicians are given free reign here it would seem as the tone has been flipped completely to a post-hardcore or noise-rock pace: raw, bouncy and fast. As this track ends, the punk melts away quickly but is expressed elsewhere between the laid back and introspective folk. "Waves" is an example where we can hear some touches of sludge creep into the very distorted and coarse sounds, as the main riff repeats with a chorus of voices yelling overhead.

"Cantos 984" shows another unexpected blend. Beginning quietly on all fronts at a ritualistic pace, as the fuzz gets rolled on gradually and the volume increases you can almost hear the light tread of shoegaze right up to the five minute mark. The shift here is a step into a more sludgy-hardcore groove (like early Capricorns or Mare), the dose of heavy noise seals the track well without a doubt. One of my favorites here.

"The Drone" is another brilliant track with a change in style though not as jarring, moving from again warm country and halfway through bursting with feedback and multiple snaking leads to a very abrupt cold end. It's a powerful track, ambitious and treading softly on shoegaze at points but I really would've liked to hear that build last longer rather than the sudden drop out.

The final song, "Bell", has a similar atmosphere about it. The acoustic strings chime and twang alone beautifully for the opening three minutes; very magical with a gloomy edge as the slowly fade. It feels like a second song starts at this point as the spectral vocals come through with a playful melody for a time; very graceful. Then a break occurs where some of that post-hardcore shines through for a final crescendo but with the haunting voice remaining, echoing softly atop waves of noisy riffs.

Dweller On The Threshold's debut is impressive, fitting comfortably among the other strange acts in the increasingly excellent Enemies List stable. I almost want to compare these guys to Do Make Say Think in some ways. The number of talented rotating musicians with varied backgrounds is similar in both, and while I wouldn't call this post-rock the moments that approach this style feel much more like DMST then say Explosions In The Sky. As with most Enemies List releases this is something that may not be everyone's cup of tea. The changes in style could come off feeling a little disconnected and the album is definitely on the short side arguably. I would say they've managed the flips very well, pacing both elements smoothly considering the length.

I couldn't encourage you more to check this one out — it's an ELHR release so I shouldn't need to convince anyone to at least give it a chance if you've enjoyed anything from the label. Certainly those of you who like it can go to ELHR and preorder the vinyl or pay-what-you-want to download it digitally. Support these guys. You can also follow their tumblr.

DOWNLOAD (Enemies List)
DOWNLOAD (Direct Link)

Wednesday, November 16, 2011

Dyskinesia - Dalla Nascita (2011)

Full Length, Frohike Records
September 1st, 2011


Genre: Atmospheric Sludge/Post-Metal
Region: Italy

Honestly I haven't been very interested in much of the post-metal/post-rock released this year like I have in the past. Braveyoung's new album blew me away and may be the only post-rock release I've thoroughly enjoyed while Russian Circles' latest 'Empros' I found largely disappointing. I did enjoy the new Omega Massif but truthfully it doesn't live up to their debut (last half almost gets there). However Dyskinesia's latest album "Dalla Nascita" showed up in my requests a few days back and definitely has piqued my interest more than most of what I've heard from the genre this year.

My initial impression of Dyskinesia lead me to compare them to two experimental groups getting a lot of attention recently — The Body and Terra Tenebrosa . At least to some extent. The difference is that while I really didn't enjoy either of those band's works I found this far more engaging, refined, well structured and less tedious. It may be because this is more straight forward and loud than my first impression led me to believe, more resembling Omega Massif and Tesa here and there then the aforementioned acts which makes it far more appealing to me.

Seven tracks in all which range from 5 to 8 minutes each. There's a lot of elements in "Dalla Nascita" but the overarching theme of atmospheric sludge/post-metal dominates their sound. They make a point to express that it was "recorded live in studio, with few overdubs, keeping the spontaneity and the rarefed atmospheres of their past works alive." The album flows seamlessly without becoming redundant or forgettable.

Most songs are composed of waves of well layered guitar effects: several droning/wailing guitars over the heavy sludge leads and soft bass riffs creating a wonderfully deep and lonely atmosphere. It feels like an instrumental album but a lot of tracks have either ghostly/hushed semi-clean singing or harsher vocals (similar to Time to Burn) behind the chaos created by the effect-laden guitars and pounding drums. The fourth track shows off the drone or noise aspect of the album without becoming grating; subtle resonating hums and cycling industrial/noise samples pulse slowly throughout. The final three tracks fade back into dreamy post-metal with tinges of shoegaze, the last track ending on a decidedly noisier note.

Despite the fact "Dalla Nascita" reaches just over 45 minutes it passes much faster than you'd think, stemming from the fact that every song is quite enjoyable. Beautiful in some moments while heavy and chaotic in others it's finely tuned record without the filler I was expecting. They've put it up for free (with the choice of donation t support its release) and you can also hear it on their bandcamp page.

DOWNLOAD (Frohike Records)
DOWNLOAD (Mediafire)
DOWNLOAD (Megaupload)

Tuesday, April 19, 2011

Light Bearer - Lapsus [2011/320]


































Comprised of members of Fall of Efrafa and Dungeons, Light Bearer takes the post-hardcore sounds of Rinoa and Envy, and blends it with post-rock melodies that give it it's own unique sound. This is a must-listen for 2011, and it's easily one of my favourite albums of the year, if not my favourite.

Artist: Light Bearer
Album: Lapsus
Release Year: 2011
Genre: Post-Hardcore/Sludge Metal

1. Beyond the Infinite
2. Primum Movens
3. Armoury Choir
4. The Metatron
5. Prelapsus
6. Lapsus

Credit goes to buzzkillr

Monday, January 31, 2011

Braveyoung - We Are Lonely Animals (2011)

Full Length, The End Records
March 29, 2011



Genre: Post-Rock/Post-Metal
Region: USA

Well I've been waiting for something from these guys since their Bloom EP and here it is. I must say I'm really liking it. They were originally the Atmospheric Sludge/Post-Metal band Giant who had one full length and a split with Tides, then they changed their name. What we have here is something quite different from Giant and I would say different even from their EP.

Starting with a quiet piano intro, it is much more minimal with a depressive/calm tone throughout and some strong bass and violin/cello-esque elements that fit very well. There's one or two tracks with a sprinkling of low vocals but it is largely instrumental. I would compare We Are Lonely Animals to something like Godspeed You! Black Emperor, Mono and Tides.

In 320.

DOWNLOAD (Mediafire)
DOWNLOAD (zshare)

Thursday, October 7, 2010

Rogue Sounds - Transmission [2010/320]



I was actually asked directly by the band to post this on here, and thus here it is. I have listened to it myself and it is a very solid record. In fact, it's one of my favourite EP's this year. It might be interesting to know, the album was produced by Ed Brooks, who has worked with Russian Circles and Fall of Troy, previously. I definitely recommend this to Post-Rock/Post-Metal fans.

Artist: Rogue Sounds
Album: Transmission (EP)
Release Year: 2010
Genre: Post-Rock

1. Decibel
2. Virtue
3. Vice
4. Transmission

Thursday, July 22, 2010

Devil Sold His Soul - Blessed & Cursed (2010)





















Genre: Post-Hardcore / Post-Rock
Region: England

1. Tides
2. Drowning/Sinking
3. Callous Heart
4. An Ocean of Lights
5. Frozen
6. The Disappointment
7. Crane Lake
8. A Foreboding Sky
9. The Weight of Faith
10. Truth Has Come

Download (Megaupload)

Bonus tracks
11. Fade To The Grave
12. Death Surrounds You
13. Let The Rain In

Wednesday, May 26, 2010

Kausal - In Dead Cities [2010/VBR320]



Some very engaging Post-Rock/Post-Metal. I cannot recommend this enough. Definitely took me by surprise at how good this turned out to be.

Artist: Kausal
Album: In Dead Cities
Release Year: 2010
Genre: Post-Rock/Post-Metal

1. The Debt
2. We Steal Sunshine
3. Evac
4. That Will Make Sense Tomorrow
5. The Conquistador
6. How is Your Heart?
7. Rising Cities
8. The Rest


Download VBR320 (Megaupload)

Monday, May 24, 2010

Sleepmakeswaves - In Today Already Walks Tomorrow [2009/320]



I'm too much into Post-Rock now since listening to the TotorRo EP, so here's some more great post- stuff.

Band: Sleepmakeswaves
Album: In Today Already Walks Tomorrow
Release Year: 2009
Genre: Post-Rock

1. I Will Write Peace on Your Wings and You Will Fly Over the World
2. Exits to Nowhere
3. One Day You Will Teach Me to Let Go of My Fears
4. So That the Children Will Always Shout Her Name
5. It's Dark, It's Cold, It's Winter
6. What We Cannot Speak of Must be Passed Over in Silence


Download 320 (Mediafire)

Tuesday, May 18, 2010

Hammock - Chasing After Shadows... Living With The Ghosts [2010/320]



Beautiful album that produces a very enriching atmosphere for the listener.

Band: Hammock
Album: Chasing After Shadows... Living with the Ghosts
Release Year: 2010
Genre: Post-Rock/Ambient

1. The Backward Step
2. Tristia
3. Little Fly/Mouchette
4. Breathturn
5. In the Nothing of a Night
6. Andalusia
7. The Whole Catastrophe
8. The World We Knew As Children
9. Dust in the Devil's Snow
10. How Can I Make You Remember Me?
11. You Lost the Starlight in Your Eyes
12. Something Other Than Remaining


Download (Hotfile)

Friday, May 14, 2010

TotorRo - TotorRo [2010/VBR]



Some of the best post-rock I've heard in a while. Cannot wait for a full-length release from this band.

Artist: TotorRo
Album: TotorRo (EP)
Release Year: 2010
Genre: Post-Rock/Post-Metal

1. 1984
2. My Bob's Blue Eyes
3. Isang Tao
4. Totoro's Rising


Download VBR (Mediafire)

Sunday, May 2, 2010

God is an Astronaut - Age of the Fifth Sun (2010)



Artist: God is an Astronaut
Album: Age of the Fifth Sun
Genre: Post-Rock

1. Worlds in Collision
2. In the Distance Fading
3. Lost Kingdom
4. Golden Sky
5. Dark Rift
6. Parallel Highway
7. Shining Through
8. Age of the Fifth Sun
9. Paradise Remains


Download 320 (Deposit Files)

FLAC (Mediafire Pt. 1)
FLAC (Mediafire Pt. 2)

Wednesday, March 17, 2010

Red Sparrowes - The Fear Is Excruciating, But Therein Lies The Answer (2010)



Extremely good Post-Rock album from a consistently excellent band. Highly recommended.

1. Truths Arise
2. In Illusions Of Order
3. A Hail Of Bombs
4. Giving Birth To Imagined Saviors
5. A Swarm
6. In Every Mind
7. A Mutiny
8. As Each End Looms And Subsides


Download (Rapidshare)

Monday, January 4, 2010

Enjoy Eternal Bliss - Yndi Halda



Yndi Halda
Enjoy Eternal Bliss
Post-Rock
UK
2007

This is the greatest Post-Rock record ever. Some may say that GY!BE make better stuff but they're a close second at best. Now listen to this, or get the fuck out.

Why is this such an epic comeback, apart from the fact that this is an amazing album?

BECAUSE IT'S A FLAC RIP, FAGGOTS

Monday, October 12, 2009

Man of Aran - British Sea Power


























British Sea Power
Man of Aran
Post-Rock
England
2009

Man of Aran was originally a documentary by the father of documentary filmmaking, Robert Flaherty. When they recently found a good quality copy of the film, they restored and re-released it, and asked British Sea Power to compose a whole new score to it. It's obviously better when you watch it with the film, but it works great as a stand-alone album too. Good shit.

DOWNLOAD (Zshare)

DOWNLOAD(megaupload)

Saturday, October 3, 2009

Maserati - Inventions For The New Season (2007)

Full Length, Temporary Resistance
2007



Genre: Post-Rock
Region: USA


1Inventions
9:43
212/16
5:45
3Kalimera
4:16
4Synchronicity IV
7:14
5This Is a Sight We Had One Day From the High Mountain
2:54
6Show Me the Season
9:23
7Kalinichta
1:49
8The World Outside
5:39

DOWNLOAD (Mediafire)

Maserati - The Language Of Cities (2002)

Full Length, Kindercore
2002



Genre: Post-Rock
Region: USA

This album is more mellow than their recent release.


1Ambassador of Cinema6:04
2The Language7:48
3Moving With Heavy Hearts7:59
4Keep It Gold2:53
5Being a President Is Like Riding a Tiger7:57
6Cities6:54
7A Common Interest in Silence2:49
8There Will Always Be Someone Behind You7:31

DOWNLOAD (Mediafire)