Showing posts with label France. Show all posts
Showing posts with label France. Show all posts

Tuesday, April 30, 2013

Svart Crown - Profane (2013)

Full Length, Listenable Records
Aprill 22nd, 2013


Genre: Black/Death Metal
Region: France

Since you're all probably pretty tired of the grind and -core I'm putting up, I'm gonna pump in some more black and death metal for a few posts. A warning though you can count on plenty more of that regardless so have fun. Speaking of: if you're waiting on the new Immolation, Ulcerate, or Inquisition then I think you're gonna want to give this a few spins as well. Might be a bit of a sleeper gem for 2013 or just something really solid. And yes I will be getting to those Abyssal albums sometime soon.

I posted Witnessing The Fall last year not long after I saw Svart Crown support Ulcerate on their first North American tour and was very impressed by both their tight performance and quick, dissonant sonic seige. This french horde has obviously been taking their writing even more seriously in the past three years, fleshing out their influences and strengthening their skills to invoke a distorted vision of dissonant blackened death metal entitled Profane that would make Immolation proud. It's a surprise and crept out of nowhere a few days back and may end up on my year end list.

Profane is a far more absorbing venture through vigorous, bendy American sounding dissonant black/death metal compared to their more tame (or less colorful maybe, while enjoyable) 2010 record. I say American because instead of feeling more creepy-chaotic like French/European acts Deathspell Omega, Hectic Patterns, Dodecahedron, etc. Svart Crown use Profane to channel the fiery, blasphemeous, and weighty sound of Immolation with a wild, open-stringed blackened discord and pacing of Inquisition. That's not to say the US doesn't have it's share of torrential death chaos (Ævangelist for instance, holy hell) but the other brand is far more recognizable obviously.

When I saw them I definitely experienced a few of the tracks on this record. After hearing Profane not only is it recognizable from that show there's a much more obvious connection to their pairing with Ulcerate outside of just general friendship. Their previous work contained elements of this yes but here it's far more developed and infused with the old Morbid Angel era influence — and it's not without their own semi-modern sour taint gracing the worship which makes it more their own.

Once again it's a pretty clean record, all the instruments breath comfortably while playing an integral and energetic part in the jagged sorcery on Profane. Loud too. Vile death roars spout cosmic heresies, standard fair but not lacking passion. Guitars are rich, dishing out merciless amounts of scratchy, blazing tremolos and gallops, spectral open dissonance, and bright bends. One channel working the artificial harmonics, chunky rhythms while the other ruptures with ghostly dissonance coupled with a never ending cannon barrage from the new drummer alongside it all, lending a heap of energy to the record. Overall the four of them definitely were working harder towards something on Profane. And from start to finish it doesn't dip in quality, the 40 or so minutes of twisted death hits just the right spot I think.

There are really only two tracks which slow things down: "Until The Last Breath" which has Inquisition inscribed in it, an intoxicated waltz for three-quarters of it's run that is pretty groovy, and "The Therapy of Flesh" which starts off like a burst dam, tearing into you with quick, technical blows before settling into a more relaxed, ominous groove. The intro being one of two instrumentals — they're not wasted on ambient samples though. The opener is a brief glimpse into the cosmic destruction you're about to walk in to, and "Venomous Ritual" is more of an interlude or prelude to the final chapter of Profane: ceremonial and adding more tribal atmosphere without reliance on woodwind instruments and the like. Everything else is a tight, molten assault quite a few leaps forward from Witnessing The Fall.

The various twists and changes in pacing while keeping with satisfying, off-kilter and jerky thoughtful writing and structuring with strong roots allows shit to continue to flow forcefully despite the ingedients being the same and not necessarily new. The arrangements and execution are gripping all over Profane and translate with exponential passion live. "In Utero: A Place of Hatred and Threat" shows off a more black metal focus for a long while, bursting into occasional frenzied gallops of death. The title track (which is streaming on bandcamp) definitely has a more old-school vibe in the opening seconds of jittery slides but the jump to nervous bends and eventually hanging chords brings it back to the bizarre. Especially that latter sustained high string section, very cold and leads to to nice bridge before the pace builds back up.


While the material is solid across the board here ("Genesis Architect" eases you in nicely) a few songs are particularly awesome. "Intern. Virus. Human" is definitely one of them and it comes early. A track that needs to be turned up without a doubt. The first few moments do not feel remarkable but once you hit like 20 seconds in wow does it become much more. By the time the song is in full swing it sounds like something taken directly off of Immolation's last record, that huge chunky, stomping hook and that breaks into an ugly thrash morphed from the opening; this whole time the erupting percussion is just burying you, just a vicious hammering from all angles. The pause a few moments later leads to some severely addicting crushing bends that make a return before the end; which is great all by itself.

Then coming up on the tail end we have "Ascetic Purification" (the shortest track) and it throws you for a loop a little on the outset. To me the first thirty seconds almost sound like it's on the brink of turning into a blackened hardcore tune what with it's semi-punk pacing but the remainder of it is more merciless distorted savagery, with some tasty pinched harmonics and frantic screams right at the end. I would even say in the final quarter is a moment of brutal death metal slam barbarity amongst the already awesome lashing.

"Revelation: Down Here Stillborn" is the other one that stands out, bleeding directly from "Ascetic Purification", and it seals the album well. It's a fucking monster with a lot of memorability. A very grand haze is draped over this song, building and building, dipping from Immolation howling solos and bends and back into more melancholic grooves found in the slower tracks before it. Within the first two minutes there's a ton of crippling grooves lathered in icy harmonized twangs and it only gets heavier from there. A good and final example of their skill and creativity coming together so well, jumping back and forth in it's style just enough to not be messy and feel complex without being wanky or boring.

Profane is a surging, polished, far more solidified and interesting effort from Svart Crown combining some of the greatest elements of Inquisition and Immolation (even the earliest Ulcerate) with pretty epic energy. It surprised me a great deal honestly. It'll hook you but it's not revolutionary, just very enjoyable for those who love that malshapen sound. And I happen to fall into that category so I'm loving this a ton.

You can stream this over here, and buy it from Listenable Records in Europe, Season of Mist if you're in North America (or iTunes apparently); and I would assume eventually direct from the bands store. I highly recommend you do so and follow their updates on tours and shit on facebook as usual.

DOWNLOAD (Zippyshare)
DOWNLOAD (Mega)

Wednesday, May 30, 2012

Svart Crown - Witnessing The Fall (2010)

Full Length, Listenable Records
October 25th, 2010


Genre: Black Metal
Region: France

I saw these guys open for Ulcerate last Thursday and man was that a show to remember. Needless to say Ulcerate completely surpassed my expectations and demolished the tiny venue but I didn't know anything about Svart Crown. Regardless I was pleasantly surprised by their sound and performance. The French know black metal, that is certain, and Svart Crown are another group that come out of that country with some sick and twisted sonic undulations.

Witnessing The Fall is packed full of cutting and dissonant riffs, a ferocious sound that borders black and death metal as the blasting drums hurl you backwards and venomous tongues tear through your ears. At one moment it sounds straight forward and oldschool (though brutal) when suddenly you're struck by a discordant pack of riffs, undeniably powerful with big bends and sustains (as heard on "Strength Higher Than Justice" and "Dogs Of God"). When these bouts of concussive rhythms are over the sharp tremolo riffs, swirling and churning to great satisfaction, and chunky gallops punch through with relentless malice — and an occasional dive bomb solo — made all the more tasty by some thick production and a skin-flaying guitar tone.

The writing is very solid. I wouldn't say it's hugely unique and the subject matter is pretty typical but there's enough there to hold your interest and bring a few surprises. They can play their instruments very well, throughout the release there's a sense of technicality without staying from the orthodox formula or falling into any wankiness that can be off-putting; the intro sets it up nice and it stays pretty damn catchy throughout the 10 tracks with only a few moments to catch your breath.

The final track "Of Sulphur And Fire" is the longest hitting 8 minutes, slowly building from a dark, clean set of chords and then plummeting into a creeping groove, slowly gaining speed and hitting rough dissonance right up to the last fading moments. Slow, loud, filthy and sour.

I recommend checking this out (especially if you like shit like Arkhon Infaustus) and if you have the chance you should definitely see them live. Their material packs a bigger wallop live no doubt and they perform flawlessly with a ton of energy.

Pick this up directly from the label in various formats. They, along with Ulcerate, had a lot of their gear and merch stolen by a pack of cunts while playing in New York a week before I saw them so if you like what you hear try and help them out — same goes for Ulcerate. Those guys are magnificent and true soldiers for plowing through without a hint of self-pity after such a disappointing event on their first North American tour.

DOWNLOAD (Mediafire)
DOWNLOAD (Zippyshare)

Monday, May 7, 2012

The Great Old Ones - Al Azif (2012)



Atmospheric Black Metal
Full length, Les Acteurs de l'Ombre Prodcutions
France
320

You guys know how I'm a sucker for lovecraftian shit, so it's quite obvious this album appealed to me. Also posted on Forever Cursed, I present you The Great Old Ones. A lovecraft inspired band from Bordeaux, France. And this is their debut album Al Azif, and let me tell you that this album is one of fucking hell of a debut.

When listening to Al Azif, I didn't get what I was expecting. So many bands who take Lovecraft often incorporate him with dark, desolate, depressing, petrifying soundscapes, which is correct since a lot of his stories are just that. However Lovecraft as a whole isn't just that, Lovecraft can be epic even when surrounded by the all hopelessness, Cosmic gods, monsters that can control winds, ancient wars and rebellions etc. Al Azif provides a good emphasis on these subjects whether it was band's intention or not.

The Great Old Ones are in the end a black metal band. Raw, fast drumming, shrieking vocals, and lots of tremolo, but album is also rich with harmony and melodies that are pleasing to the ears. The doomy rhythm and atmosphere almost puts this in sort of a "Post" genre as Forever Cursed put it. If you enjoy bands like Altar of Plagues and Wodensthrone I am pretty sure you're going to enjoy this so why not give it a spin?

LISTEN (Bandcamp)
DOWNLOAD (mediafire) Dead

Saturday, May 5, 2012

P.H.O.B.O.S. - Atonal Hypermnesia (2012)

Full Length, Megaton Mass Productions
March 19th, 2012


Genre: Industrial Doom Metal
Region: France

Atonal Hypermnesia is this secretive group's third full length, and it continues their unique journey with more ambient, industrial tonnage with a few more steps into plunging madness. It may be their best record yet.

P.H.O.B.O.S. offer up four lengthy and dense tracks on this release, each one filled with creeping drones and trembling heavy riffs that will plow you beneath waves of industrial noise. Hypnotic and heaving, cavernous and desolate atmospherics fill the dark void that they open up on "Necromegalopolis of Coprolites". The riffs here are muffled and could be compared to the warped rhythms that Portal achieve but are more repetitious — winding back and forth as the industrial drums repeat continuously. The vocals lay buried under the onslaught largely, whispered and echoing as a smooth bass riff meets the guitar. Cycling noise and samples (deep and booming) both accompany the slogging guitar or stand alone in some sections to give the track a very spacy or alien vibe. Sections of silence are interrupted as the riffs come full circle.

This is the formula that underlies each track on this record, and while it doesn't stray too far from that pattern it stays spellbinding and heavy at all times. It's truly impressive that they do so much with so little in terms of riffs. Apocalyptic, perhaps brooding is the only way to describe the tone of this record.

"Maelström Mani Padme Hum" is no exception which again opens with slow bends that grow in volume with the drumming. The riff drones deliberately with great weight for a bit with occasional additions of dissonance when the drowned vocals emerge, and not long after the bends become altered slightly. It's a very unique and strange heaviness which you're likely to only get from P.HO.BO.S. Riffs fade and an ebbing is all that is left for a time; it really does sound like the sounds that would emanate from deep within some ancient monster. Suddenly the drums slam back in as the hum and buzzing continues to entrance. Drums switch up with added punch when you hear the riffs begin to subtly swing back to the front until they're pressing against you with full force — disturbing and filled with darkness. Near the end as the guitar become more mangled this is the first time a scream rises above the instruments, and the song fades ominously with intermittent drum blasts.

"Solar Defrag" may be my favorite track on this record, and follows the previous one with a rumble, whirling like the blades of a massive flying machine. Electronic pulses shoot up continuously as the drums return. It's truly trance-inducing. The drums drop out leaving the whirling noise to stand alone, and it builds when the first riff breaks through: one massive, loud powerchord sustained and smooth. It continues to bore, gouges a deep ugly crater into your mind endlessly as the vocals seethe under them and the drums occasionally drop out. The riff only changes once into a huge bend far into the song and continues like that (slowing down to a crawl) right to the end.

The final track is "Transonic Mahasamadhi". It starts with a psychedelic tinge as the noise grows and grows until the thunderous drums kick into a sick rhythm, while the down-tuned guitar circles below. Repeating strongly, there's a break from the drums as feedback, delay and reverb take over for a short time — but then all elements return. Whispering accompanies a very subtle change in the riff, and then it shifts to an evil droning bend once again. Then after many cycles for the first time (though brief) we get some palm-muted chugs that stand beside the harsh chaos and sick bends before a return to the previous section. And it continues this way — a trudging hideousness unmatched with only brief glimpses of silence. The last leg of this album is filled with shifting pitches and frequencies, bass punches and almost inaudible vocals before we reach the conclusion.

I have to say this is definitely a huge step up from Anœdipal in my opinion, and from the material I've heard this impressed me the most. Unbelievably heavy, mysterious and strange. Highly recommended for those of you looking for lumbering alien heaviness. You can pick this up through Megaton Mass in cd and vinyl formats, the vinyl version comes with a cd copy as well.

Go get it.

DOWNLOAD (Zippyshare)

Thursday, March 1, 2012

Arms of Ra - Unnamed (2012)

Full Length, Swarm of Nails
March, 2012


Genre: Sludge/Doom/Hardcore
Region: France

I've been seeing this release around a lot and was actually going to get around to putting it up here soon, but the folks over at Swarm of Nails have made contact and asked that we post it up before I could get around to it.

"Unnamed" contains six independents songs which are all linked by the same story of a man trying to deconstruct himself and disappear from society.

Abhorrent darkness is what this release exudes from every corner. Arms of Ra are fortified on all sides by pungent injections of atmospheric sludge like Amenra and Reka and dark, dissonant hardcore like Nesseria, Young And In The Way, Hexis, Oathbreaker, and Maranatha.

Unnamed is dedicated to thick chunky grooves and bouts of cacophonous writhing twangs (sometime briefly straying into post-metal territory), bolstered by the mangled yells of the vocalist and a rough and gritty bass roar. It often creeps but shows faster sections when the hardcore influence penetrates. Bleak melodic passages trudge through the muddy chaos on occasion further pressing into you a feeling of helpless gloom and malice. The final track is the longest and has a far more traditional doom metal feeling to it as it stomps angrily, having dropped much of the angularity in favor of a somewhat early Thou-ish tone. It's a nice deviation to end the album on

Brooding and heavy. Recommend for those who like some core with their sludge. Unnamed can be heard in full on Swarm of Nails' bandcamp and is available at the Swarm of Nails online shop so pick it up if you like what they do.

DOWNLOAD (Mediafire)
DOWNLOAD (Bandcamp)

Sunday, January 8, 2012

TotorRo - All Glory to John Baltor (2011)



Artist: Totoro
Album: All Glory to John Baltor
Genre: Post-Rock / Post-Metal

This is some of the best-sounding post-rock I have heard in ages. Unbelievable drum, bass, and guitar tone. The production is incredibly wet and downright pleasing to the ears. The riffs are excellent - this is like combining the best of Year of No Light, Russian Circles, and Light Bearer. Absolutely gorgeous.

Listen to it on bandcamp, support them at Tokyo Jupiter Records.

Download (Mediafire)

Wednesday, January 4, 2012

Children of Maani - The Veil of Osiris (1998)

EP, Velvet Music International
1998


Genre: Black Metal
Region: France

I've been meaning to get this up here for a while. This is a true gem brought to you by Vindsval, the man behind that jarring blackened mass Blut Aus Nord. I actually enjoy this more than any full album by Blut Aus Nord honestly. Do not judge this album by the cover art alone as you would be making a serious mistake and end up passing over a fantastic, little known EP by this defunct side project.

The Veil of Osiris is four tracks of melodic black metal bursting with absolutely creative, powerful writing and musicianship in all aspects: solos that are truly epic and memorable without sweeping wankery, snaking and soaring riffs in a unique guitar tone, face blasting drumming, a big low end, subtle use of keys, and a vocal style shifting from occasional gravelly roars to strained rasps/screams.

"Tradition: The Birth" sets the pace perfectly with quick repeating serpentine tremolo riffs that build to a short bridge and the first excellent solo: technical and graceful with a rhythm section accompanying it that is just as strong. This is the basic formula followed throughout the EP and it gets progressively better each song. There are moments of slow and chunky riffs as shown in the next track immediately which shows off the tamer melodic side, before dropping into blast beats and more quick winding riffs, a short ambient section and then ending with another shredding solo.

The final two tracks are by far my favorites. "Tiphareth" shows off the perfect balance between fury and melody with ugly vocals over the harmonious guitars and a touch of keyboards. At 2:20 the best solo on the album kicks in. It's damn beautiful, with a crushing rhythm underneath — when the tapping starts I get chills. This is the section that sticks out in my mind when I recall this album. A brief bridge follows but the final riff is carried from the tail end of the solo.

"My Birth" does not have a solo and is the slowest on the album but again displays a perfect combination of all elements. The two primary riffs here are disgustingly addictive and extend throughout the song, probably the best riffs on the album. The two guitars are playing almost identically but with a slight variation sometimes. Once these pass a slower section follows that has a slight keyboard backing reinforcing the melody, it circles itself for a while before hitting those previous sweet riffs again and ends with some slight tapping and a slow fade.

Quite possibly one of the best black metal EPs out there to be honest, holding its ground more than a decade since its release. Crisp, mesmerizing, well written, unique, powerful. How one man pulled this off and dropped it afterwards I just don't understand. I cannot express how addicting this is (I listened to it 3 times while writing this) and I highly recommend it.

DOWNLOAD (Mediafire)
DOWNLOAD (Megaupload)

Monday, November 7, 2011

Time To Burn - Is.Land (2007)

Full Length, Basement Apes
November 1st, 2007


Genre: Atmospheric Sludge
Region: France

This is a well deserved re-post and admittedly I did not do it justice. Time To Burn recently announced that they are dead/on hiatus and this prompted me to spread this wonderful band around again. They have generously put up all of their material for free on their bandcamp page.

They are a brilliant and unique french atmospheric sludge/post-hardcore band who put out one demo, one EP and two full lengths. Is.Land is their second and last release — it is so impressive and powerful and there is still not much out there like it in the genre. The energy, atmosphere and passion mirrors that of Amenra or Mare. Check out their video for the second track Nayeli and you'll hear what you've been missing:


Is.Land is filled with quality writing and blends styles in surprising ways. It moves from brutal and fast hardcore riffing and melancholic, crushing sludgy swells and leads while always maintaining atmosphere. The drumming is tight and clear, noticeably adding to the intensity. It's the calamitous and visceral vocals that almost reach that of Colin from Amenra and Tyler of Mare which I find captivating; Eddy's vocals can be harsh as in the above example or soft and clean as shown in the closing track "Land."

I cannot recommend this album and band enough — they are an extremely satisfying listening experience. It's just too bad they shut down. The final message from the band:

"After a few years of slowed down activity, time to burn is now on hiatus.


We couldn’t be more thankful for everyone who helped us. Every gig we played at, every floor we slept on, every band we’ve toured with. we’ve met great people along the way, and they would be too many to name all. thank you."

The old links were low quality but these are 320. If you want to support them you can get this on vinyl or CD right here, and I highly recommend you do.

DOWNLOAD (Bandcamp)
DOWNLOAD (Mediafire)
DOWNLOAD (Megaupload)

Saturday, September 24, 2011

P.H.O.B.O.S. - Anœdipal (2008)

Full Length, Megaton Mass
2008










































Genre: Industrial Doom Metal
Region: France

P.H.O.B.O.S. have a new album coming out soon called "Atonal Hypermnesia" which should be a nice treat no doubt. Until then this is their second full length delivering more dark, disturbing and slow industrial heaviness.

Again their sound is quite unique — P.H.O.B.O.S. really are like a combination of The Amenta or Godflesh with Khanate, and how could that not be excellent? A bleak, spacey atmosphere blankets the winding and deliberate riffs, black metal tinged vocals and the foundation of trudging industrial drumming. Most of the 6 tracks end in some ambient and industrial loops/samples and all of them hit the 8-9 minute mark. Anœdipal is devastating and hypnotic and like Tectonics a bit challenging, though a little less varied (it feels and flows much like a concept album). Don't pass it up.

In 320. (There's a good chance this will get taken down at some point from the looks of how scarce links are for this album around the net).

DOWNLOAD (Megaupload)
DOWNLOAD (Mediafire)

Tuesday, August 16, 2011

P.H.O.B.O.S. - Tectonics (2005)



Industrial Doom
256 kb/s

The Amenta meets doom, really harsh stuff. A tough nut to crack but it ends up being an enjoyable album in the end.

Monday, July 4, 2011

Murmuüre - Murmuüre (2010)

Full Length, Cold Void Emanations
March, 2010



Genre: Atmospheric Black Metal/Ambient/Electronic
Region: France

Murmuüre is one guy from France recording bizarre and creative black metal. The self-titled is short (just under half an hour), well written, and quite unique. There's a heavy emphasis on synth/electronic sampling, a noisey electronic haze blankets the album but underneath there is a distinct black metal sound and structure which focuses the chaos to some extent. Brilliant atmosphere is created from improvised guitar soaked in effects with giant swells of noise; this is definitely a gem.

Full stream of the album right here. Information here:

"All Murmuüre material is based on a one hour guitar improvisation from November 2006.
Selected parts were further edited to fit a rythmic structure, and merged with additional layers of sound.
This process of mixing & endless re-writing took 3 years until final completion.
The percussions are a mixture of the original programmed drums, and some (extremely re-edited) additional live drumming.
Vocals were recorded during a cathartic trance at a sacred place in the forest, with a mini-disc recorder.
Being almost inaudible in the music, they're strictly conceived as a vocal sigil technique, a vehicle for intent.

The 30 minutes long, self-titled release is possibly the first and last Murmuüre record.
I've put so much in it that it will be hard to match, and there would be no point in doing something more just for the sake of it."

DOWNLOAD (Mediafire)

Dirge - Elysian Magnetic Fields (2011)

Full Length, Division Records
April, 2011



Genre: Atmospheric Sludge/Post-Metal
Region: France

A very heavy french band flying under the radar, Dirge play sludge/post-metal and have been consistent when it comes to quality releases. Elysian Magnetic Fields is their fifth release and it is a dense and massive record with layered effects and mounds of atmosphere, a great deal of slow and heavy riffing over top of some well placed synths and samples, occasionally coupled with strained yells from the vocalist.

Eight lengthy songs in the vein of Cult of Luna, Light Bearer, Pelican, Supercontinent, Empires, Rosetta, Hive Destruction, etc.

-link removed on request-

Monday, May 9, 2011

Monarch! - Sabbat Noir (2010)

Full Length, Throne Records
March 27th, 2010



Genre: Drone/Doom Metal
Region: France

Put your doom hats on, turn the lights off and light some candles. Some slow and heavy stuff from France with haunting female vocals across two huge tracks.

DOWNLOAD (Mediafire)

Monday, January 31, 2011

Hectic Patterns - Random (2008)

Full-length, Holy Records
June 23rd, 2008

Genre: Technical Death Metal
Region: France

This should have been posted a long time ago. One of my favorites from 2008, I'd say they belong to the same wave as Gorod, Pavor, Pitbulls in the Nursery — mainly in the sense that they're tech death and from France. Outside of that these guys are much different and deserve much more attention. They're technical without the forced wankery (ie sweeps and sweeps) and pseudo-melodic riffs. It's the strong writing backing up their skills which holds up the music. They can control themselves which is something that many modern tech death bands seem incapable of doing.

Random has some interesting shit going on throughout with great use of both pinched/natural harmonics in an excellent guitar tone, neat effects, some relevant bass interludes and occasional slow riffing amongst the controlled chaos. It's stop-starty and angular with solid vocals and drumming. Don't let the simple artwork put you off because Hectic Patterns have created some genuinely different tech death right here.


DOWNLOAD (Mediafire)

Tuesday, November 9, 2010

Deathspell Omega - Paracletus (2010)

Full-length, Norma Evangelium Diaboli/SOM
November 8th, 2010



Genre: Progressive/Avant-garde Black Metal
Region: France

Newest effort from Deathspell Omega, in 320.

DOWNLOAD (Mediafire)

Tuesday, November 2, 2010

As We Draw - Lines Breaking Circles [2010/320]



I've heard these guys a little while back when I was looking more into TotorRo. I was very impressed with what I heard and have been looking forward to this album for a while. Fortunately, the album is out now and it is well worth the wait. It's hard for me to find many flaws with this album and so I recommend this highly for those who are itching for some sludge blended nicely with some Post-Hardcore.

Artist: As We Draw
Album: Lines Breaking Circles
Release Year: 2010
Genre: Post-Hardcore/Sludge Metal

1. Shame
2. Sin of Addiction
3. Shield
4. Burst of Colour
5. When Crowds Are Trapped... The Lonely One Dies
6. Fault Lines
7. Drowned in Flames
8. Draft
9. Scum of the Earth

For those who want to download direct from the label and in FLAC or another quality/format:


Otherwise:

Thursday, September 2, 2010

Natural Snow Buildings - Shadow Kingdom (2009)

Full Length, unsigned
2009



Genre: Drone/Folk/Hipster-Trash
Region: France

Forgot I had this, came with the triple vinyl. Not as trance-inducing as The Dance of the Moon and the Sun but great nonetheless. In 320.

Friday, May 14, 2010

TotorRo - TotorRo [2010/VBR]



Some of the best post-rock I've heard in a while. Cannot wait for a full-length release from this band.

Artist: TotorRo
Album: TotorRo (EP)
Release Year: 2010
Genre: Post-Rock/Post-Metal

1. 1984
2. My Bob's Blue Eyes
3. Isang Tao
4. Totoro's Rising


Download VBR (Mediafire)

Monday, April 12, 2010

Celeste - Morte(s) Nee(s) (2010)



Extremely chaotic sludge album. Very highly recommended.

1. Ces Belles de Rêve aux Verres Embués
2. Les Mains Brisées comme Leurs Souvenirs
3. Il y a Biens des Porcs que ça Ferait Bander de T'étouffer
4. En Troupeau des Louves en Trompe l'Oeil des Agneaux
5. (S)
6. Un Miroir pur qui te Rend Misérable
7. De Sorte que Plus Jamais un Instant ne Soit Magique


Direct download link below from the band themselves.

Download (Direct)

Sunday, August 30, 2009

Year Of No Light - Nord (2006)

Full Length, Radar Storm Records
2006



Region: France
Genre: Atmospheric Sludge


1Sélénite 5:04
2L’angoisse du veilleur de nuit d’autoroute les soirs d’alarme à accident 3:02
3Traversée 9:00
4Librium 2:15
5Les mains de l'empereur 9:57
6Tu as fait de moi un homme meilleur 4:40
7Somnambule 8:37
8Prosodia 2:34
9Par économie pendant la crise on éteint la lumière au bout du tunnel 5:36
10La bouche de Vitus Bering 7:40

DOWNLOAD (Mediafire)