Showing posts with label Avant-Garde. Show all posts
Showing posts with label Avant-Garde. Show all posts

Monday, May 14, 2012

Night Heir - Wind In My Dream Mist In My House (2010)

Full Length, Independent/Unsigned
September 1st, 2010



Genre: Avant-garde Black Metal/Ambient/Experimental
Region: USA

So it's no secret that I'm extremely lazy and have been slacking majorly on requests. I'm slowly sifting through the backlog at the moment while catching up on other releases that interest me, but in terms of requests lets start with this quirky and mysterious record from Night Heir.

I passed over this record several times. I've given it several runs so far but I still think I have yet to grasp what it captures within its winding and bizarre depths. It's one of those records (indeed bands) that escapes genre classification despite it clearly housing multiple familiar genres such as black metal, ambient, pysch-folk, progressive metal, etc. — I want to compare it to something like Wreck And Reference, Mamaleek or Bad Life but that won't do either. It makes for a difficult review, and it is best you give it a listen yourself in order to draw from it what I cannot in the short amount of spins I've given it. Throughout ten tracks Wind... gives a refreshing and dark take on what it means to be progressive and edgy in an underground scene that is continuously contorting into and out of strange new soundscapes.

From the opening track you get the impression you'll be experiencing something folky and calm, but as you move forward into it's core set of tracks you're greeted with some unexpected and genuinely intriguing styles and flavors. Of course there are intermittent bouts of this subtle ambience sprinkled throughout, however a lot of the album has a more turbulent nature. It can be a little jarring for the average listener, just hitting that line of inaccessibility but backing off of purposeful alienation just for the sake of it. There is a plan and it is sincere and gripping. Wind... is ripe with quality and unique writing, that is for certain, and you must push forward to fully grasp and digest what Night Heir present within its deep folds.

It is once you encounter "The Night Heir" that the black metal aspect is revealed, glorious and atmospheric in ways you would not expect. But truly I became convinced and most impressed once I hit "No Sympathy For Demanding Idols" which is extremely catchy while at the same time foreign, stimulating. It contains a very groovy set of rhythms and riffs that ebb back and fourth hypnotically while a droning set of vocals (clean and bleak in tone) caress the listener's ears. It has elements of black metal but quite unlike what I've encountered elsewhere. This continues into "Indigo Woman" which as some really heavy, satisfying moments (as does "Böcklin", the track that follows). These four songs flow together as if they were one track while having very different personalities.

If ever there was something one could call dynamic or progressive or "avant-garde" without becoming convoluted and pretentious this is it, and all tracks from this one forward retain this quality, though not trapped in one style. The latter half of Wind... becomes more mellow, heavy, slow and experimental within it's own realm of peculiarity as it sheds it's originally more blackened coil ("I Seek Myself / I See Myself" are good examples of this). The evolution into this valley is just barely noticeable and once you arrive it feels very natural.

Occasionally clangs of bells, clashing of rattles, and swells of synths/keys tasetfully accompany the eerie vocals, which as mentioned are often clean but sway back into more harsh blackened tones; though not pained and screeching as one might assume. Desperate and howling fits better. The drumming runs the gamut of styles and yet it always feels appropriate while the bass is at the forefront, sliding and bouncing hypnotically. The structure of the riffs move effortlessly between weighty chunks, hazy chords, proggy riffs, and tight tremolos that weave themselves into surprising areas. Heavy but not doomy, dreamy but not shoegazy. Most of the time the songs stay short but still contain so much without becoming crowded or convoluted. This enigmatic two piece manages to create meaningful, atmospheric and articulate songs, escaping tropes one might expect.

I can certainly recommend those of you who are adventurous, looking for something refreshing, to look into this record. It's fairly impressive. There really isn't much out there that you could comfortably compare Night Heir to. It's best you give it a shot yourself as I'm unable to do justice to what has been offered here. I think you'll be pleasantly surprised. You can download it for free on their bandcamp page where you can also order a copy of the album in cassette format if you're so inclined for $3 (I did, it's quite nice). You can also follow their blog for updates on their activities.

DOWNLOAD (Bandcamp)

Saturday, November 5, 2011

Oxbow - An Evil Heat (2002)

Full Length, Neurot Recordings / Hydra Head Records
March 19th, 2002


Genre: Avant-garde/Noise-Rock/Sludge
Region: USA

If you haven't already seen or picked up a copy of the recent fantastic underground music industry documentary film Blood, Sweat & Vinyl: DIY in the 21st Century then I suggest you do so. For a while I've been hearing about this band Oxbow but only in vague mentions. Having received my copy of said documentary I was better introduced to them through it and I was surprised, confused and compelled by what I heard. Specifically their passionate live performance of Stallkicker and the vocalist's presence.

Apparently Oxbow been around for a while, jumping between Neurot and Hydra Head making some bizarre yet heavy noise-rock/psychedelic sludge, with a lead singer (Eugene S. Robinson) that is absolutely insane. What they remind me of is Daughters and their oddness if they slowed it down, went in a psyche-sludge direction, and had far more sexual undertones.

Similar to Neurosis they're impossible to describe accurately.  Likewise An Evil Heat is hard to describe without repeating myself. I'll just say it's not for everyone, you'll either love it or absolutely hate it, and the final track is a 32 minute tribal vocal/drum drone fest which is much different from the rest of the album; guaranteed to put you into a trance. Get a copy of the cd over at Neurot Recordings.

DOWNLOAD (Zippyshare)

Thursday, September 17, 2009

Mr Bungle - California


CHAKA CHAKA CHAKA CHAKA CHAKA CHAKA CHAKA CHAKA CHAKA CHAKA

1. Sweet Charity
2. None of Them Knew They Were Robots
3. Retrovertigo
4. The Air-Conditioned Nightmare
5. Ars Moriendi
6. Pink Cigarette
7. Golem II: The Bionic Vapor Boy
8. The Holy Filament
9. Vanity Fair
10. Goodbye Sober Day

Friday, August 7, 2009

夢中夢 (Muchuumu) - イリヤ - il y a (2008)



Genre: Avant-Garde Post-Rock

Excellent Post-Rock with Japan with Electronica/Glitch elements and beautiful Opera-ish vocals. There's even some BM sounding vocals and drums buried in the mix.

Pass: alternativekids.blogspot.com