Haapoja - Hallitsematonta Voimaa (2011)

Demo, Unknown
September 16, 2011

Genre: Hardcore/Blackened Hardcore
Region: Finland

I first saw this up on The Living Doorway in early-November and since those guys clearly know their shit (definitely when it comes to tasty hardcore) I checked out, quite enjoying what I heard. Not long after that I found the band requested us to put it up as well and I've been meaning to do so. Some very nice blackened hardcore to be heard here.

"Haapoja was formed in Oulu, Finland in 2007.Originally the plan was
to play death metal. Since then the style has evolved and influences
have been taken from various styles of heavy music, like Converge-style
hardcore and black metal. There have also been some line-up changes
and some pretty long breaks mostly due to the mandatory military
service in Finland. In summer 2011 Haapoja recorded their first proper
demo, called Hallitsematonta Voimaa."

It's a little difficult to place their style: somewhere between hardcore like Narrows in their faster moments (or maybe even a little KEN Mode) and Deathspell Omega-ish twisted black metal, moving across both very seamlessly but ultimately ending up on the dark hardcore end of things. Despite this sub-genre having grown saturated in the past few years Haapoja have managed to carve out a uniquel sound with a technical style while remaining catchy as all hell. Instead of relying on a cold sludgy/crusty atmosphere this is often fast and shifts pace at various points, never resting too long before breaking into another discordant run. Vicious vocals and truly bouncy, dissonant blackened riffs. It's short and sweet running slightly over 20 minutes.

A very promising young Finish act and I'd certainly recommend giving them a listen if you like dark and angular hardcore. Check out Hallitsematonta Voimaa on their bandcamp page or facebook.

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Doomtree - No Kings [2011/320]

Artists like Dessa have been posted before, and P.O.S has been referenced a few times on this blog, but they are all just a part of the Doomtree record label and collective hip-hop group. No Kings is a showcase of each members talent, placed over a lot of industrial sounding beats, and riddled with some of the finest wordplay you'll hear this year. If you like any artists from Rhymesayers or Strange Famous Records, you will love this most likely, and it goes without saying that fans of any of the artists from Doomtree will adore it as well.

Artist: Doomtree

Album: No Kings

Release Year: 2011

Genre: Hip-Hop

Tracks:

1. No Way

2. Bolt Cutter

3. Bangarang

4. Beacon

5. Punch-Out

6. Little Mercy

7. The Grand Experiment

8. String Theory

9. Team the Best Team

10. Gimme the Go

11. Own Yours

12. Fresh New Trash

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A Scanner Darkly - A Scanner Darkly (2006)

EP, Gilead Media
January 1st, 2006

Genre: Grindcore/Sludge/Noise
Region: USA

A killer release from a band that is dead. Gilead Media again have housed another winner. Themed around the excellent novel by Philip K. Dick (as well as several of his other works), A Scanner Darkly have molded a fierce sound from grindcore and sludge with some noise influence sprinkled throughout. This shit is a face shredder and has a pretty unique sound for such a grindy band, very spacy atmosphere in between the blasts, feedback and huge powerchords.

I'm pretty sure this is their only release. There are six tracks that alternate between quick 1:30 technical blasts and 4 minute sludgey batterings (often with great use of the wah), some of which start with ominous statements in a Hawking-esque speak-and-spell voice. Vocals range from standard powerful grind vocals, deep raspy roars to distorted and effect-drenched yells. The final track is a haunting 9 minute drone with a minimal acoustic backing, filled with feedback, warped electronic pulses and samples which come together to evoke images of a sci-fi totalitarian landscape; much like the cover. It's all catchy as hell, polished and sure to please any fan of grind.

This is truly a forgotten gem. I think there are still some hard copies left at Gilead Media, or if not you can pay what you want (no base price) at Gilead's bandcamp page as well. Definitely recommended for fans of Gadget, Dephosphorus, and Black Arrows of Filth and Impurity.

Get a taste here.

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SubRosa - No Help For The Mighty Ones (2011)

Full Length, Profound Lore Records
March 1st, 2011

Genre: Sludge/Doom Metal
Region: USA

Better late then never on this one. I haven't heard any of SubRosa's previous releases but this has left a definite impression on me.

Soft and clean, folk-like droning female vocals (reminiscent of sedated Nerissa Campbell) pull you into the gloomy dark while fuzzy and slow guitar/bass leads lift you up into a hazey peak, crashing back down riff after riff. Among these elements are the excellent placement of the electric violin used by two of the ladies which sound eerily like trumpets, never overused and accent the drugged out atmosphere. Pacing is set by slow and steady doom drum beats. The forlorn, intoxicated atmosphere boarders on psychedelic with the wavy violins and subtle wah/noise effects but the constant, slow groans of the guitars and very abrupt sections of coarse growls from the singer keeps this in the realm of dreamy sludge. A noticeable and unique sound, well composed and executed. "No Help For The Mighty Ones" is extremely catchy and heavy.

Some of the musical and melancholic lyrical themes are inspired by books ("The Road" and "War Against The Weak") and Russian fairy tales, and there are subtle touches of a hammered dulcimer, harmonica, chime, and thumb piano. There are a few guest musicians the contribute to various songs and one of the closing tracks ("House Carpenter") is an acapella rendition of a Celtic folk song.

I've seen comparisons to Neurosis but I would place them more along side early A Storm of Light if they were more stoner oriented. Definitely recommended. Pick it up from Profound Lore or from SubRosa's store. Listen to it on their bandcamp page.

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Thou - Summit (2010)

Full Length, Gilead Media / Southern Lord
June, 2010

Genre: Sludge/Doom Metal
Region: USA

Man, Thou flat-out rule. Their third full length album "Summit" is four immense, perfectly distilled, spellbinding sludge tracks that show great maturation even over the greatness that was "Tyrant". The pacing is excellent, the lyrics are sharp and cut into you with the vitriolic blackened vocals, riffs are booming (with occasional melodic passages peaking through) and will stick with you long after the record has stopped. Especially Prometheus, I come back to that track constantly. It is some mad low-tuned destructive shit from beginning to end, filled with raw frustration, gloom, lividity and punctuated with brief glimpses of beauty.

Definitely something that should have been posted here a while back. I love this record so much I recently picked up the repress even though I already have the first press. This version includes two bonus tracks, both of which eventually ended up on the recent "The Archer & the Owle" EP, and is still available at Gilead Media. I suggest picking it up if you love doom or sludge especially considering the label in need of some help at the moment.

Listen to it on the label's bandcamp.

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Encoffination - O' Hell, Shine In Thy Whited Sepulchres (2011)

Full Length, Selfmadegod Records
November 15th, 2011

Genre: Death/Doom Metal
Region: USA

Listening to this record is basically like being pounded in the face in excruciatingly slow intervals continuously for 40 minutes with a mace as you choke on your own blood and splintered skull, lying in a dark battlefield. The crawling scent of a thousand torn up corpses piled in the center of a ruined castle ready to be burned.

I'd say it's an improvement over Ritual Ascension Beyond Flesh which was quite an impressive record, more chilling samples of ringing monastery bells strewn amongst the incredibly heavy and slow riffs, drumming and vocals. No disappointments here.

There are a few moments where the pace picks up slightly but this is largely a slithering, suffocating cloud of doom-drenched death metal and it is brutal. Pick it up here.

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By Endurance We Conquer: Gilead Media

The Status & Future of Gilead Media

I'm not sure if post come off as pretentious or alarmist but fuck it, I won't make a habit out of posts like these anyway.

Equivoke is a simple blog posting/pirating music created by hard working musicians alongside regular dedicated guys running DIY record labels such as Gilead Media, Enemies List Home Recordings, Dark Descent, Hydra Head, Neurot Records, Robotic Empire, Vault of Dried Bones, Howling Mine, The Flenser, and many others. What we do is so easy, what they do requires a lot of time, dedication, money, and love for the material they put out there and rarely do they try to have blogs like ours shut down for spreading their stuff around illegally. I feel the least I can do is try to raise awareness of some of these guys and their current situations, maybe direct some support their way — often they're in a constant bind being small, underground labels and bands who reinvest all profits into new releases and work hard to keep the quality to a high standard.

Adam Bartlett of Gilead Media recently posted an update on his blog about the label's current situation and while it's not in any immediate danger of shutting down, recent events in the past year have made it harder for him to continue providing music and merchandise that I and many others love. Throughout my time here I've posted quite a few of their excellent releases — False, Ash Borer, Fell Voices, Ruin Lust, Krallice, Thou, Barghest, Black Arrows of Filth & Impurity — most of which are still available (some in their second pressings). I'm well aware that not everyone has cash on hand to pick up releases on a frequent basis but if you were on the fence about picking something up from Gilead now would be the perfect time. Adam isn't looking for pity or hand outs, nor is he trying to be dramatic (since his isn't the only label affected). Do what you can to support him and the various underground labels so they can continue to bring us quality music.

On a side note, I'd also like to call attention to more bullshit intellectual property rights legislation being pushed by the entertainment industry in the USA which will affect essentially everyone involved in blogs such as these (not to mention the other 90% of the internet). It's brought up every so often and usually is squashed, hopefully that's what happens here. To do your part in ensuring that it is put down (even if you aren't in America) follow the link above to learn more or go here.

Thanks for your time. Resuming our regular schedule of stealing good music.

Antediluvian - Through The Cervix Of Hawaah (2011)

Full Length, Profound Lore Records
November 12th, 2011

Genre: Death Metal
Region: Canada

You know what? Alongside Mitochondrion's "Parasignosis" and Ulcerate's "The Destroyers of All" this may be the best death metal release this year.

Catastrophic, ancient, dissonant, twisted and ugly. A squall of intense and incomprehensible crawling darkness spilling into your ears. This builds on the magnificence of Under Wing of Asael and Revelations In Excrement. Nothing but well written face-splitting riffs, primal drum blasts, actually audible bass riffs, and organ destroying vocals. No space is wasted, no bullshit — all is devoted to conjuring extreme bestial intensity.

I'm going to stop now because I have to listen to this all day. You can too on bandcamp. Support these brilliant Canadian fucks and pick it up right now from Profound Lore Records or if you're in the EU at Invictus Productions. Do it.

EDIT: Link replaced and track list amended/corrected. Apologies. Please check your tags! Tracks 1, 4 and 9 have incorrect spelling from the original rip (update 19/11/2011, clipping issue fixed).

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Dyskinesia - Dalla Nascita (2011)

Full Length, Frohike Records
September 1st, 2011

Genre: Atmospheric Sludge/Post-Metal
Region: Italy

Honestly I haven't been very interested in much of the post-metal/post-rock released this year like I have in the past. Braveyoung's new album blew me away and may be the only post-rock release I've thoroughly enjoyed while Russian Circles' latest 'Empros' I found largely disappointing. I did enjoy the new Omega Massif but truthfully it doesn't live up to their debut (last half almost gets there). However Dyskinesia's latest album "Dalla Nascita" showed up in my requests a few days back and definitely has piqued my interest more than most of what I've heard from the genre this year.

My initial impression of Dyskinesia lead me to compare them to two experimental groups getting a lot of attention recently — The Body and Terra Tenebrosa . At least to some extent. The difference is that while I really didn't enjoy either of those band's works I found this far more engaging, refined, well structured and less tedious. It may be because this is more straight forward and loud than my first impression led me to believe, more resembling Omega Massif and Tesa here and there then the aforementioned acts which makes it far more appealing to me.

Seven tracks in all which range from 5 to 8 minutes each. There's a lot of elements in "Dalla Nascita" but the overarching theme of atmospheric sludge/post-metal dominates their sound. They make a point to express that it was "recorded live in studio, with few overdubs, keeping the spontaneity and the rarefed atmospheres of their past works alive." The album flows seamlessly without becoming redundant or forgettable.

Most songs are composed of waves of well layered guitar effects: several droning/wailing guitars over the heavy sludge leads and soft bass riffs creating a wonderfully deep and lonely atmosphere. It feels like an instrumental album but a lot of tracks have either ghostly/hushed semi-clean singing or harsher vocals (similar to Time to Burn) behind the chaos created by the effect-laden guitars and pounding drums. The fourth track shows off the drone or noise aspect of the album without becoming grating; subtle resonating hums and cycling industrial/noise samples pulse slowly throughout. The final three tracks fade back into dreamy post-metal with tinges of shoegaze, the last track ending on a decidedly noisier note.

Despite the fact "Dalla Nascita" reaches just over 45 minutes it passes much faster than you'd think, stemming from the fact that every song is quite enjoyable. Beautiful in some moments while heavy and chaotic in others it's finely tuned record without the filler I was expecting. They've put it up for free (with the choice of donation t support its release) and you can also hear it on their bandcamp page.

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Chromes - And Here My Disgust Begins (2011)

EP, Dancing On Sharks
November 7th, 2011

Genre: Hardcore/Sludge/Crust
Region: UK

In the middle of a Thou binge I decided to check out some requests (something I don't do often enough). I have a few other requests I want to post eventually but this one in particular caught my interest. Sid from this young two-piece London band called Chromes left me a nice email about their new EP. Not much can get me to stop a Thou track midway through but this two track release did just that.

"And Here My Disgust Begins" is a short but very hard-hitting/well written EP with a distinct sound, creeping along the edges of Young and In The Way and Celeste territory. A seriously dark and bleak atmosphere surrounds this one. Hopefully this is only a small taste of what's to come as these guys know how to create some brooding and pissed dark hardcore.

The first track "And Here My Disgust Begins" starts with jarring feedback. Immediately following this is a mass of slowly writhing blackened hardcore riffs and dissonant slides which lead up to a mid-point of hypnotic ambience, finally letting go into a melodic chunk of chords with a subtle piano bed — ending the song in a very beautiful yet sad light. Everything moves along smoothly, no dragging moments. "Diamond Crowns" quickly follows with some slow, powerful sludgy leads that melt into a brief clean/quiet moment and back into the former again. This repeats once more to great effect and drags you towards a noisy, ominous conclusion. All elements here are well refined from the Converge-esque vocals tinged with hate and desperation to the noisy and thick guitar tone, to the pounding drums (which get lost in the chaos at points). The subtle touches of piano and feedback are very effective without coming off as cheesy or forced. Intense from beginning to end.

Thoughtfully constructed and highly recommended. You can listen to and download the EP on their bandcamp page and soundcloud, and follow them on facebook or on their blog. You'll definitely want to keep an eye on what these guys have planned.

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