Monday, November 21, 2011

By Endurance We Conquer: Gilead Media




I'm not sure if post come off as pretentious or alarmist but fuck it, I won't make a habit out of posts like these anyway.

Equivoke is a simple blog posting/pirating music created by hard working musicians alongside regular dedicated guys running DIY record labels such as Gilead Media, Enemies List Home Recordings, Dark Descent, Hydra Head, Neurot Records, Robotic Empire, Vault of Dried Bones, Howling Mine, The Flenser, and many others. What we do is so easy, what they do requires a lot of time, dedication, money, and love for the material they put out there and rarely do they try to have blogs like ours shut down for spreading their stuff around illegally. I feel the least I can do is try to raise awareness of some of these guys and their current situations, maybe direct some support their way — often they're in a constant bind being small, underground labels and bands who reinvest all profits into new releases and work hard to keep the quality to a high standard.

Adam Bartlett of Gilead Media recently posted an update on his blog about the label's current situation and while it's not in any immediate danger of shutting down, recent events in the past year have made it harder for him to continue providing music and merchandise that I and many others love. Throughout my time here I've posted quite a few of their excellent releases — False, Ash Borer, Fell Voices, Ruin Lust, Krallice, Thou, Barghest, Black Arrows of Filth & Impurity — most of which are still available (some in their second pressings). I'm well aware that not everyone has cash on hand to pick up releases on a frequent basis but if you were on the fence about picking something up from Gilead now would be the perfect time. Adam isn't looking for pity or hand outs, nor is he trying to be dramatic (since his isn't the only label affected). Do what you can to support him and the various underground labels so they can continue to bring us quality music.

On a side note, I'd also like to call attention to more bullshit intellectual property rights legislation being pushed by the entertainment industry in the USA which will affect essentially everyone involved in blogs such as these (not to mention the other 90% of the internet). It's brought up every so often and usually is squashed, hopefully that's what happens here. To do your part in ensuring that it is put down (even if you aren't in America) follow the link above to learn more or go here.


Thanks for your time. Resuming our regular schedule of stealing good music.

Friday, November 18, 2011

Antediluvian - Through The Cervix Of Hawaah (2011)

Full Length, Profound Lore Records
November 12th, 2011


Genre: Death Metal
Region: Canada

You know what? Alongside Mitochondrion's "Parasignosis" and Ulcerate's "The Destroyers of All" this may be the best death metal release this year.

Catastrophic, ancient, dissonant, twisted and ugly. A squall of intense and incomprehensible crawling darkness spilling into your ears. This builds on the magnificence of Under Wing of Asael and Revelations In Excrement. Nothing but well written face-splitting riffs, primal drum blasts, actually audible bass riffs, and organ destroying vocals. No space is wasted, no bullshit — all is devoted to conjuring extreme bestial intensity.

I'm going to stop now because I have to listen to this all day. You can too on bandcamp. Support these brilliant Canadian fucks and pick it up right now from Profound Lore Records or if you're in the EU at Invictus Productions. Do it.

EDIT: Link replaced and track list amended/corrected. Apologies. Please check your tags! Tracks 1, 4 and 9 have incorrect spelling from the original rip (update 19/11/2011, clipping issue fixed).

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Wednesday, November 16, 2011

Dyskinesia - Dalla Nascita (2011)

Full Length, Frohike Records
September 1st, 2011


Genre: Atmospheric Sludge/Post-Metal
Region: Italy

Honestly I haven't been very interested in much of the post-metal/post-rock released this year like I have in the past. Braveyoung's new album blew me away and may be the only post-rock release I've thoroughly enjoyed while Russian Circles' latest 'Empros' I found largely disappointing. I did enjoy the new Omega Massif but truthfully it doesn't live up to their debut (last half almost gets there). However Dyskinesia's latest album "Dalla Nascita" showed up in my requests a few days back and definitely has piqued my interest more than most of what I've heard from the genre this year.

My initial impression of Dyskinesia lead me to compare them to two experimental groups getting a lot of attention recently — The Body and Terra Tenebrosa . At least to some extent. The difference is that while I really didn't enjoy either of those band's works I found this far more engaging, refined, well structured and less tedious. It may be because this is more straight forward and loud than my first impression led me to believe, more resembling Omega Massif and Tesa here and there then the aforementioned acts which makes it far more appealing to me.

Seven tracks in all which range from 5 to 8 minutes each. There's a lot of elements in "Dalla Nascita" but the overarching theme of atmospheric sludge/post-metal dominates their sound. They make a point to express that it was "recorded live in studio, with few overdubs, keeping the spontaneity and the rarefed atmospheres of their past works alive." The album flows seamlessly without becoming redundant or forgettable.

Most songs are composed of waves of well layered guitar effects: several droning/wailing guitars over the heavy sludge leads and soft bass riffs creating a wonderfully deep and lonely atmosphere. It feels like an instrumental album but a lot of tracks have either ghostly/hushed semi-clean singing or harsher vocals (similar to Time to Burn) behind the chaos created by the effect-laden guitars and pounding drums. The fourth track shows off the drone or noise aspect of the album without becoming grating; subtle resonating hums and cycling industrial/noise samples pulse slowly throughout. The final three tracks fade back into dreamy post-metal with tinges of shoegaze, the last track ending on a decidedly noisier note.

Despite the fact "Dalla Nascita" reaches just over 45 minutes it passes much faster than you'd think, stemming from the fact that every song is quite enjoyable. Beautiful in some moments while heavy and chaotic in others it's finely tuned record without the filler I was expecting. They've put it up for free (with the choice of donation t support its release) and you can also hear it on their bandcamp page.

DOWNLOAD (Frohike Records)
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Tuesday, November 15, 2011

Chromes - And Here My Disgust Begins (2011)

EP, Dancing On Sharks
November 7th, 2011


Genre: Hardcore/Sludge/Crust
Region: UK

In the middle of a Thou binge I decided to check out some requests (something I don't do often enough). I have a few other requests I want to post eventually but this one in particular caught my interest. Sid from this young two-piece London band called Chromes left me a nice email about their new EP. Not much can get me to stop a Thou track midway through but this two track release did just that.

"And Here My Disgust Begins" is a short but very hard-hitting/well written EP with a distinct sound, creeping along the edges of Young and In The Way and Celeste territory. A seriously dark and bleak atmosphere surrounds this one. Hopefully this is only a small taste of what's to come as these guys know how to create some brooding and pissed dark hardcore.

The first track "And Here My Disgust Begins" starts with jarring feedback. Immediately following this is a mass of slowly writhing blackened hardcore riffs and dissonant slides which lead up to a mid-point of hypnotic ambience, finally letting go into a melodic chunk of chords with a subtle piano bed — ending the song in a very beautiful yet sad light. Everything moves along smoothly, no dragging moments. "Diamond Crowns" quickly follows with some slow, powerful sludgy leads that melt into a brief clean/quiet moment and back into the former again. This repeats once more to great effect and drags you towards a noisy, ominous conclusion. All elements here are well refined from the Converge-esque vocals tinged with hate and desperation to the noisy and thick guitar tone, to the pounding drums (which get lost in the chaos at points). The subtle touches of piano and feedback are very effective without coming off as cheesy or forced. Intense from beginning to end.

Thoughtfully constructed and highly recommended. You can listen to and download the EP on their bandcamp page and soundcloud, and follow them on facebook or on their blog. You'll definitely want to keep an eye on what these guys have planned.

DOWNLOAD (Bandcamp)
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Monday, November 14, 2011

Thou - The Archer & The Owle (2011)

EP, Robotic Empire
May 22nd, 2011


Genre: Sludge/Doom Metal
Region: USA

While I was sitting around between reading breaks I was thinking back on past live shows (having just seen Russian Circles for a second time which was fantastic), and I kept coming back to the Thou with Wolves in the Throne Room/Gates/Thantifaxath show a few months back. All the bands that played that night were great but I can easily say that seeing Thou for the 30 minutes they were on stage was one of the most intense and heavy live shows I've experienced. Being so ridiculously close to the band while they were performing on a half-pipe I was nearly smashed between the bassist and guitarist during the entire earth-shaking set, swaying and entranced by the tremendous doom they conjured up right through to a wonderful Black Sabbath cover that finished it off. Thou absolutely surpassed my expectations. Then I realized I have never posted one of their albums here which disturbed me a little.

Thou are undeniably a very hard working band. They've consistently put out at least four or five releases every year since 2007 (sometimes posting their stuff for free) and all of them are quality. "The Archer & The Owle" is one of three releases this year — a punishing and crawling sludge beast as all their records are. It contains three excellent covers ("Nirvana - Something in the Way", "Pygmy Lush - Cold World" and "There There"), two 10 minute mammoth originals (one that appears on Summit as a bonus track) and one short interlude with a trumpet (again from Summit);  all of which emanate a cold and agonizing atmosphere alongside the relentlessly heavy growls of the guitars/bass and hoarse, shrieking vocals in true Thou fashion.

Nothing can compare to their live performance in all honesty but this is quite a record and I highly recommend you check it out if you haven't already (and if you can find a copy, grab one).

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Thursday, November 10, 2011

Sanguis Imperem - In Glory We March Towards Our Doom (2011)

Full Length, Hell's Headbanger Records
November 4th, 2011


Genre: Death Metal
Region: USA

Another tower of death metal I was anticipating greatly. Sanguis Imperem are a USA old school death metal machine with a similar vibe of Necros Christos or Sonne Adam, and this is their first full length after a few EPs and a split with Nocturnal Blood.

Opening with a foreboding acoustic intro, "In Glory We March Towards Our Doom" is nine tracks of quality death and the sound definitely fits the title. The sound of a massive army trampling the earth towards certain death without regard for anything in its path. Nothing but relentless waves of tremolo leads that spill into occasional slow/bendy riffs, coupled with abominable growls and screams, and war-like drumming marching you to a dark, endless pit of tangled corpses. Nothing flashy, very dirty and powerful.

Their style is familiar no doubt but they pull it off so well. Pick it up now at Hells Headbanger Records. You won't regret it.

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Wednesday, November 9, 2011

Zelfhaat - Van Jammerklacht En Wanhoopsgeshrij (2011)



Genre: Depressive Black Metal
Country: Netherlands
Label: Rotting Grave Distribution

Download via Megaupload (VBR)

Ritual Necromancy - Oath of the Abyss (2011)

Full Length, Dark Descent Records
November 15th, 2011


Genre: Death Metal
Region: USA

Admittedly I do try not to post stuff that my fellow bloggers have posted the same day usually but I will and have certainly make exceptions. This is really good — another win for Dark Descent Records.

Like the wicked child of Vorum, Incantation, and Antediluvian, Ritual Necromancy's "Oath of the Abyss" rips through the darkness with a muddy chainsaw guitar/bass tone from the former (or Denial) and oppressive, frighteningly deep and formless vocals of the latter. Lots of dark, creeping and doomy mid-paced tremolo riffs with chunky chords interspersed throughout the record over the annihilating, merciless drums. Oath of the Abyss provides nothing but satisfying, unstoppable old school tomb-defiling death metal.

Those who like the above mentioned bands or Vasaeleth, Funebrarum, Ignivomous, etc. better check this out. Get a copy over at Dark Descent.

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Monday, November 7, 2011

ID:VISION - Destination Cybermind (2011)


Extreme Industrial
Belarus
320 kb/s

I found these guys awhile back and listened to their first album, Plazmadkaos which I thought was neat, albeit a bit boring. If you're expecting another The Amenta, you're mistaken. This band doesn't really take noise music elements, but instead they use lots of techno sounds, lots of beep boops, zeep woops. Let's not say this album isn't extreme, it's actually pretty intense. They even throw in that industrial clean vocal yelling thing that bands do, if you know what I'm talking about and that's along side guttural squeals and growls. This might not be a lot of people's cup of tea, and people might think it's a bit cheesy and over produced...

But I like it...

I like it a lot.

Also, help me figure out the genre. Because I have no idea what they are other than industrial.

Seven Sisters of Sleep / Children of God - Split (2011)

Split, A389 Recordings
2011


Genre: Sludge/Hardcore
Region: USA

Oh yeah. More Seven Sisters of Sleep is always welcome and like Young and In The Way these guys are always busy. Here's the latest offering in the form of a split with Children of God.

Six tracks, three from each band. It's angry and abrasive. The Seven Sisters of Sleep side is more sludge oriented while the Children of God side resembles more traditional hardcore but there are elements of sludge mixed in there enough to see why these two beasts would come together for a split (particularly on Bled Dry, very doomy). I haven't heard of them until this was announced but it would seem they should be getting more attention.

It slays. Need I say more? No. Listen to it streaming here and definitely get a copy on vinyl over here as well.

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